The unnumbered pages 4 and 5 from the SHOCK! promotional book. (I've
increased the pixel size; click on photo to make larger in a new
window.)
Starting
with: "For years, tales of terror, macabre stories of ghouls and ghosts
have fascinated millions in every form of entertainment. Now, for the
first time, this eerie world of the weird and supernatural comes to
television with stunning impact in SHOCK -- an irresistible attraction
for mood programming of feature films."
And ending with:
"SHOCK! captures audiences! holds audiences! builds audiences!"
...
these pages try to convince television programmers about the enduring
fascination the public has with horror, and how Screen Gems is offering
just what they need to attain impressive audience numbers.
Interesting
that the "screen's titan's of terror" includes the Mad Ghoul (hardly on
the level of Universal's other classic monsters), but does NOT mention
The Mummy! Also of interest is that E. Phillips Oppenheim is placed on
the same literary and popularity level as writers Edgar Allan Poe and H.
G. Wells. Oppenheim (1866-1946) was, indeed, a popular writer of
thrillers, but one wonders if by 1957 his renown had faded. The SHOCK!
package included a film based on one of Oppenheim's most successful
novels, THE GREAT IMPERSONATION.
The promo mentions Universal's
THE HUNCHBACK OF NOTRE DAME and THE PHANTOM OF THE OPERA as examples of
the company's "memorable films," but neither of these silent films was
in the SHOCK! package--understandably so, as television audiences would
not have patience with non-talkie films.
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